11/30/2022 0 Comments Il pomello sotto l occhio![]() In particular Junko Ikuta (Institute of Archaeology, London) has provided substantial help in the analysis of the impasto. My colleagues in the pot-shed, Lynda Salter Mancebo who devised the recording System for the site, Alison Keith and Robyn Thalman deserve special thanks. To all of those students I am very grateful. and the early years of the 3rd century B.C.ģ Many people over the last decade have helped with the pottery processing, including the numerous students involved in the University of Alberta Summer Field School. The numbers in parentheses refer to some of the significant layers in which the form is found: a synoptic concordance at the end of each type lists the entry and a selection of inventory numbers for that form which are usually the best preserved examples.Ģ The chronology of the Roccagloriosa pottery is obscured by the brief chronological arc of the settlement, by the geological situation at the site (see chap. 1), and by the inconsistencies in the local production especially in the last third of the 4th century B.C. ![]() We want to emphasize that in the local production at Roccagloriosa the same form was often produced in a variety of sizes and thus the entries for the individual forms include the range of dimensions in which that form is found at the site as well as the range of clay colors in which the form was produced. In addition to the entries for known or recognized forms, additional documentation necessary for the dating of layers has been included for some of the wares such as the banded wares. #Il pomello sotto l occhio seriesEven though the pieces are extremely fragmentary and therefore for the black-glaze wares the Morel criteria of various proportions cannot be applied, we have referred to Morel series types if they seem pertinent or indicative of a general date or trend. Exceptions are noted in the descriptions. In general, the material is very fragmentary, often the form is not clearly ascertainable and usually the paint or glaze has not been well preserved. quando non venga indicato diversamente.ġ All pottery excavated after 1981 has been quantified by ware, form and weight. All sherds with some distinguishing characteristic in form, decoration or clay color have been drawn and photographed: it is from those pieces that the selected entries of the various wares have been derived. Per quanto riguarda il catalogo, il cerchietto vuoto ( ○ ) accanto al numero progressivo indica la presenza del disegno il cerchietto pieno ( ![]() L’analisi delle altre classi di materiali (Terrecotte Architettoniche, Louteria, Macine, Vetro, Oggetti di Metallo) è di M. Gualtieri. R. R. Holloway (Brown University, Center for Old World Archaeology and Art, Providence, R.I., USA) è l’autore dello studio sulla monetazione. M. Cipriani, Direttore, Soprintendenza Archeologica di Salerno, Ufficio Scavi di Paestum, ha analizzato l’evidenza delle terrecotte figurate. P. Arthur (Direttore Scientifico, Progetto EUBEA, Napoli) ha curato lo studio delle anfore. A. Keith (Department of Classics, University of Toronto) ha redatto, unitamente a H. Fracchia la sezione sulla Ceramica grezza. Il capitolo sui materiali è stato curato da H. Fracchia, che è anche l'autrice delle parti riguardanti la Ceramica (Impasto, Ceramica a Bande, Ceramica a Figure Rosse, Ceramica a Vernice Nera, Complessi vari e, Pesi da telaio). ![]()
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